When she was just 5, Hannah Taylor spotted her first homeless person in the back alleys of Winnipeg. This experience not only troubled her but it drove her to do nothing less than change the world, leading to the establishment of the impressive Ladybug Foundation. Under Hannah’s leadership, that charity has raised over a million dollars, literally making change for those lacking life’s basic needs.

As this absorbing documentary shows, Hannah insists on being seen as normal, but clearly she possesses an extraordinary can-do attitude. Her message is disarmingly straightforward, coming as it does from “little kid type theories”: “share a little of what you have and always care about others.” Whether it’s organizing Big Boss lunches, speaking to students or to a prime minister, Hannah’s capacity to help others is huge, unflagging, and, ultimately, humbling. We all have a lot to learn from Hannah’s Story.

2007, 29 min

http://www.nfb.ca/collection/films/fiche/?id=54288

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The time is now. The Chief’s eldest son, Porourangi, fathers twins – a boy and a girl. But the boy and his mother die in childbirth. The surviving girl is named Pai.

Grief-stricken, her father leaves her to be raised by her grandparents. Koro, her grandfather who is the Chief, refuses to acknowledge Pai as the inheritor of the tradition and claims she is of no use to him. But her grandmother, Flowers, sees more than a broken line, she sees a child in desperate need of love.

And Koro learns to love the child. When Pai’s father, Porourangi, now a feted international artist, returns home after twelve years, Koro hopes everything is resolved and Porourangi will to accept destiny and become his successor.

But Porourangi has no intention of becoming Chief. He has moved away from his people both physically and emotionally. After a bitter argument with Koro he leaves, suggesting to Pai that she come with him. She starts the journey but quickly returns, claiming her grandfather needs her.

Koro is blinded by prejudice and even Flowers cannot convince him that Pai is the natural heir. The old Chief is convinced that the tribe’s misfortunes began at Pai’s birth and calls for his people to bring their 12-year-old boys to him for training. He is certain that through a gruelling process of teaching the ancient chants, tribal lore and warrior techniques, the future leader of their tribe will be revealed to him.

Meanwhile, deep within the ocean, a massive herd of whales is responding, drawn towards Pai and their twin destinies.

When the whales become stranded on the beach, Koro is sure this signals an apocalyptic end to his tribe. Until one person prepares to make the ultimate sacrifice to save the people…the Whale Rider.

http://www.whaleriderthemovie.com/

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Using the exclusive photographs and first hand testimony of former U.S. Marine Captain Brian Steidle, THE DEVIL CAME ON HORSEBACK takes the viewer on an emotionally charged journey into the heart of Darfur, Sudan, where an Arab run government is systematically executing a plan to rid the province of it’s black African citizens. As an official military observer, Steidle had access to parts of the country that no journalist could penetrate. He was unprepared for what he would witness and experience, including being fired upon, taken hostage, and being unable to intervene to save the lives of young children. Ultimately frustrated by the inaction of the international community, Steidle resigned and returned to the US to expose the images and stories of lives systematically destroyed.

An INTERNATIONAL FILM CIRCUIT release of a BREAK THRU FILMS production in association with GLOBAL GRASSROOTS & THREE GENERATIONS.

COMING TO SELECT THEATERS STARTING JULY 25TH, 2007

http://www.thedevilcameonhorseback.com/

From the film we learn that the corporation is, after all, a legal entity that has the same rights as a human being under the present law. However, unlike an actual human who has to answer to the people around him, the corporation is only accountable to its bottom line, suggest the filmmakers.

Read the full review here: http://www.movieweb.com/movies/film/83/2383/review397.php

Corporate ownership and control of economics superseds the power of the government and is the greatest threat to personal freedom on the earth. This is an important film for people to see……

Paul Weigel

The Australian state of Victoria’s plan to measure their ecological objectives. A good explanation of the term which has become widely used.

EPA has worked with the Global Footprint Network to develop a documentary film about Ecological Footprint. This resource, “The Ecological Footprint: Accounting for a Small Planet”, is available for download in Windows Media file format here:

http://www.epa.vic.gov.au/ecologicalfootprint/about/documentarydvd.asp

http://www.geniusloci.com/eco.html

In Toxic Trespass, intrepid filmmaker Barri Cohen launches an investigation into the effects of the chemical soup around us. She starts with her 10-year-old daughter, whose blood carries carcinogens like benzene and the long-banned DDT. Then, Cohen heads out to Windsor and Sarnia: Canadian toxic hotspots, with startling clusters of deadly diseases.
Here, everyone seems to know children who have suffered respiratory illnesses, leukemia, brain tumours and other illnesses. And on the Native reserve of Aamjiwnaang, ringed by Sarnia’s “chemical valley,” the film reveals a startling birth rate problem that officials just can’t ignore.

Cohen journeys into toxic nightmares all too common in industrialized countries. She meets passionate activists working for positive change, along with doctors and scientists who see evidence of links between environmental pollution and health problems. And she learns how quickly barriers can go up when anyone tries to even ask questions about the connection betweeen toxins and serious health problems.

Perhaps most appalling – and funny, in their own twisted way – are the roadblocks Cohen encounters when she tries to get information from federal officials. One tells her his department is “planning to discuss the plans.”

This moving documentary is empowering and leavened with wry humour. Carried by Cohen’s passion for truth and her disarming openness, it is essential viewing for anyone concerned about the effects of pollutants on our – and our children’s – very DNA. Toxic Trespass is accompanied by a comprehensive guidebook for educators, activists and concerned citizens, produced by the Women’s Healthy Environment Network.

http://www.nfb.ca/collection/films/fiche/?id=54100